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Matlock was replaced by Rotten's good friend Sid Vicious, previously the drummer of two inner circle punk bands, Siouxsie and the Banshees and the Flowers of Romance. Vicious, in increasingly dangerous shape, was introduced by a friend who then took him to New York; Vicious took a mixture of valium and methadone (later excused as "nervous exhaustion") and was hospitalised on arrival. The interview made the band a family title in a single day in Britain and brought punk into the mainstream. Jones and Stewart meant to play primarily Chicago blues, but have been agreeable the Chuck Berry and Bo Diddley numbers Jagger and Richards dropped at the band. Colin Newman of the early put up-punk band Wire, described it as "the clarion call of a era". Steve Jones off-handedly got here up with the title because the band debated what to call the album. Belying the widespread notion that punk bands couldn't play their instruments, contemporary music press critiques, later vital assessments of concert recordings, and testimonials by fellow musicians point out that the Pistols had developed into a tight, ferocious stay band. Number one was often screened at live performance venues before the band took stage. The 1978 "Nobody Is Innocent"/"My Way" was adopted in 1979 by Vicious's cowl of Eddie Cochran's "Something Else" (quantity three, and the largest-promoting single beneath the Sex Pistols name); Jones singing an unique, "Silly Thing" (quantity six); and Vicious's second Cochran cover, "C'mon Everybody" (quantity three).