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Madonna's dressing room consisted of furnishings, photos and gym equipment, along with several flowers. Michele's designs consisted of a mixture of chinoiserie type skirts with Spanish and Latin influences, portraying the singer as a "diva of the 1920s". Other costumes have been described by Menkes as "an exotic, dancing Frida Kahlo with ruffles, shade, and a distinct sort of aesthetic". The singer flew to every location in her non-public jet, turning up at the venue in mid-afternoon for rehearsals, sound and safety checks. Update: And in keeping with flight data newly reviewed by Scott Stedman, a non-public jet owned by Deripaska flew in to Newark airport the very subsequent day before departing the US that night time. In August 2015, Madonna revealed the identify of the designers working on the costumes for the tour to Women's Wear Daily; these include Jeremy Scott for Moschino, Alessandro Michele for Gucci and Alexander Wang, along with Fausto Puglisi, Prada, Miu Miu, Swarovski, and Lebanese designer Nicolas Jebran. For the final section, Madonna labored with Scott and got here up with a "Harlem-flapper-meets-Paris-in-the-Twenties" look.